‘Project Hail Mary’ explores the power of cosmic connection
‘Project Hail Mary’ explores the power of cosmic connection
Review: Ryan Gosling’s comedic charm balances the high-stakes physics of this faithful adaptation of Andy Weir’s survival novel.
A near-perfect film adaptation of Andy Weir’s novel, “Project Hail Mary,” brings together science fiction, comedy and a heartwarming story of unlikely friends.
“21 Jump Street” directing duo Phil Lord and Christopher Miller return to lead the film. Ryan Gosling stars as Ryland Grace, a microbiologist working as a middle-school teacher who was sent on a mission to save the sun from a mysterious force. The task is simple: save Earth from freezing and destroying all humankind.
The film opens when Grace wakes up with amnesia aboard the “Hail Mary” spacecraft. He soon realizes he isn’t alone in the Tau Ceti solar system, almost 12 light-years away from Earth. He quickly meets “Rocky,” an alien engineer from a dying world of his own, who resembles a crab-like pile of moving rocks.
What starts as a solo survival story turns into a successful model of cooperation among entirely different species. The two learn to communicate despite different languages. Eventually, Grace can code Rocky’s squeaks and other strange sounds into a computer system voiced by James Ortiz.
Their clashing mannerisms provide hilarious comedic relief. From differing eating habits to a shared love of fetch, these interactions are where the film truly shines. This connection reminds viewers that even at the end of the world, a good friend makes all the difference.
In terms of aesthetics, the Hail Mary spacecraft trades the traditional sci-fi aesthetic for a more cluttered bio-engineering lab. The craft is strewn with whiteboards, vodka pouches and clothes covering the floor. The ship’s scale also feels significantly more cinematic and expansive than its literary counterpart.
Grace’s outfits are also essential to the film’s style. Most notably, his iconic, rugged sweater is a fan favorite and his bright yellow raincoat makes several appearances. Rocky also sports some human clothes with a baseball cap, homemade necklaces and a few other accessories throughout the movie.
As the only main characters, Grace and Rocky take up the majority of the screen time. Audiences follow the pair as they explore new planets, tell stories about their home and risk their lives for each other in a few tear-jerking moments.
Although comical, the film also tackles several dark themes. It focuses on the burden of self-sacrifice and the isolation of deep space. There’s also something inherently sad about how Grace ultimately feels more at home in deep space with only an alien for company than he ever did on Earth.
Other characters include Eva Stratt, played with a chilling, pragmatic edge by Sandra Hüller. While Grace and Rocky dominate the emotional heart of the film through their cosmic “buddy-cop” dynamic, the story frequently flashes back to Earth. Stratt is given absolute, dictatorial power on Earth by the United Nations with the goal of saving humanity.
These sequences provide a stark contrast to the colorful, often humorous chemistry on the Hail Mary. They serve two main purposes. They ground the stakes of the mission in a terrifying reality while slowly peeling back the layers of Grace’s amnesia. Ultimately revealing a version of himself that he, and the audience, might not initially like.
Similar to Weir’s previous work, “The Martian,” this film is committed to making science exciting. Lord and Miller manage to make physics, linguistics and organic chemistry feel high-stakes while being (mostly) understandable to audiences.
Watching Grace and Rocky use the shared language of mathematics and of physics to bridge the gap between them is especially satisfying. However, the narrative maintains a degree of fantasy and wonder. This may leave science purists or microbiology specialists craving more technical detail.
Although sci-fi, the real message of the film is not about the end of the world, but the beauty of altruism in the face of certain doom. At its core, “Project Hail Mary” is a story about two individuals who have every reason to be terrified of one another, yet choose curiosity over fear.
In a cinematic landscape often dominated by a first contact with terrestrial life that often ends in war or exploitation, Lord and Miller’s vision offers something radical: an alien encounter that ends in a deep, platonic love.
Overall, “Project Hail Mary” allows viewers to appreciate the terrors of space while also recognizing the potential for discovery, bravery and playful companionship.